Items10The creator’s order
  1. 1Unknown Pleasures (1979)Released 1 Jan 1979Peter Hook famously played his bass high up on the neck to cut through loud rehearsal amplifiers, inadvertently forging the defining melodic voice of post-punk. Propelled by Martin Hannett's cavernous production, tracks like Disorder and She's Lost Control position the bass guitar as the primary…0
  2. 2Metal Box (1979)Metal Box (1979)Released 1 Jan 1979Jah Wobble anchored Public Image Ltd's radical second album with earth-shaking, sub-heavy basslines soaked in dub reggae technique. Pieces such as Albatross and Poptones discard traditional rock structures in favour of monolithic, repetitive grooves that dominate the mix. His cavernous low-end…0
  3. 3Faith (1981)Faith (1981)Released 1 Jan 1981Simon Gallup's brooding, chorus-drenched basslines form the emotional and structural core of The Cure's bleakest masterpiece. On standout track Primary, the band famously swapped six-string guitars for two interlocked, driving bass guitars treated with flanger pedals. Throughout the record, his…0
  4. 4Entertainment! (1979)Entertainment! (1979)Released 1 Jan 1979Dave Allen delivered some of the most punchy, funk-infused bass playing in post-punk history across Gang of Four's iconic debut. Anthems such as Damaged Goods and Ether rely on his taut, syncopated grooves to build danceable tension beneath Andy Gill's razor-sharp guitar scratches. The dialogue…0
  5. 5Remain in Light (1980)Remain in Light (1980)Released 1 Jan 1980Tina Weymouth, augmented by Busta Jones, created the interlocking, polyrhythmic bass engine that powers Talking Heads' post-punk afro-funk masterpiece. On legendary tracks like Born Under Punches and Once in a Lifetime, repetitive four-string ostinatos lock tightly into Brian Eno's dense loop…0
  6. 6The Raincoats (1979)The Raincoats (1979)Released 1 Jan 1979Gina Birch took up the bass guitar with minimal formal training, turning raw instinct into inventive, off-kilter grooves that defined The Raincoats' eponymous debut. Rather than adhering to conventional rock progressions, her playing navigates unexpected intervals and stubborn, elastic rhythms.…0
  7. 7Chairs Missing (1978)Chairs Missing (1978)Released 1 Jan 1978Graham Lewis steered Wire away from three-chord punk minimalism into avant-garde post-punk through brooding, propulsive basslines. Across tracks like Practice Makes Perfect and I Am the Fly, his bass operates as the architectural foundation, carving out spacious, atmospheric grooves beneath…0
  8. 8Real Life (2007)Real Life (2007)Released 1 Jan 2007Barry Adamson brought extraordinary cinematic flair and technical agility to post-punk on Magazine's dazzling debut. From the frantic, climbing runs of Shot by Both Sides to the sleazy, noir pulse of Definitive Gaze, his bass playing snakes between keyboards and fractured guitar riffs. Adamson…0
  9. 9In the Flat Field (1980)In the Flat Field (1980)Released 1 Jan 1980David J supplied the dark, rumbling undercurrent that powered Bauhaus through their groundbreaking gothic post-punk debut. Utilising a prominent fretless bass and distorted drive, his playing slides menacingly beneath screeching guitar textures on cuts like Dark Entries and the abrasive title…0
  10. 10Juju (1981)Juju (1981)Released 1 Jan 1981Steven Severin's nimble, hypnotic basslines are the dark engine running through Juju, anchoring John McGeoch's shimmering, hallucinatory guitar layers. On tracks like Spellbound and Arabian Knights, Severin locks into Budgie's ferocious polyrhythmic drumming with relentless precision. His sharp…0