Items50The creator’s order
- 1
Man with a Movie Camera (1929)Released 12 May 1929City work and leisure become an exhilarating argument about how cameras see. Split screens and racing montage expose the making of the image alongside the world being filmed, opening documentary up to invention.0
- 2
Hoop Dreams (1994)Released 12 Sept 1994Two Chicago basketball prospects outgrow the simple underdog story. Years of patient filming let school fees, injuries and family responsibilities change what success could mean, giving the sporting ambition an unusually rich human scale.0
- 3
The Gleaners and I (2000)Released 7 Jul 2000Agnès Varda links people gathering discarded food with her own ageing body and digital camera. The personal associations remain generous towards the subjects, moving naturally between material poverty, curiosity and visual jokes.0
- 4
Shoah (1985)Released 21 Apr 1985Present-day landscapes and difficult encounters with witnesses, survivors and perpetrators make listening the central act of remembrance. Claude Lanzmann's immense Holocaust film needs sustained attention; its duration belongs to the ethical work of testimony.0
- 5
Sans Soleil (1983)Released 2 Mar 1983Letters, travel images and speculative commentary make memory feel like a process continually rewriting itself. Chris Marker's openly authored connections between places invite active interpretation rather than the easy authority of a conventional travelogue.0
- 6
The Thin Blue Line (1988)Released 28 Aug 1988Repeated reconstructions keep refusing one settled account of a murder case. Errol Morris makes the gaps between testimony, images and institutional certainty grippingly visible, using stylisation to prompt scrutiny rather than manufacture reassurance.0
- 7
The Act of Killing (2012)Released 1 Nov 2012Perpetrators of Indonesian mass killings stage versions of their actions in genres they admire. The disturbing collaboration exposes fantasies supporting public impunity, while making the ethics of the filmmakers' method impossible to ignore.0
- 8
Close-Up (1990)Released 9 May 1990A real impersonation case meets scenes reenacted by the people involved. Abbas Kiarostami turns a question of fraud into a tender inquiry about needing a life inside cinema, testing the boundary between documentary observation and performance.0
- 9
Chronicle of a Summer (1961)Released 20 Oct 1961Questions about happiness develop into arguments about work, race and speaking honestly on camera. Participants then challenge the film itself, making its self-criticism as revealing as the Parisian conversations it records.0
- 10
Night and Fog (1956)Released 22 May 1956Colour images of abandoned camps meet historical footage in Alain Resnais's concentrated Holocaust reflection. The changes of image and narration unsettle the distance between present comfort and past atrocity without requiring a long running time.0