Items12The creator’s order
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The Zombies: Odessey and OracleRecorded at Abbey Road immediately after Sgt. Pepper, Rod Argent and Colin Blunstone crafted a masterclass in baroque psychedelic pop. Driven by lush Mellotron chords, breathtaking three-part vocal counterpoint and pristine piano melodies, songs like Care of Cell 44 and Time of the Season radiate…0 - 2
Love: Forever ChangesArthur Lee and Bryan MacLean captured the dark, paranoid underside of 1967 Los Angeles with poetic genius. Driven by acoustic Spanish guitars, David Angel's breathtaking mariachi horns and string arrangements, Alone Again Or and You Set the Scene merge symphonic majesty with cynical realism.0 - 3
The Kinks: The Kinks Are the Village Green Preservation SocietyRay Davies deliberately turned away from kaleidoscopic San Francisco excess to construct a pastoral, harpsichord-laced English fairytale. Underneath its subtle backwards tape loops and gentle Mellotron washes lie fifteen of the most witty, emotionally observant vignettes in British pop history.0 - 4
The Pretty Things: S.F. SorrowWidely recognised as the very first complete rock opera, this Abbey Road production weaves blistering fuzz guitars, sitar drones and phased vocal chants into a tragic narrative. Phil May's impassioned vocals and Dick Taylor's searing riffs make tracks like Balloon Burning crackle with proto-hard…0 - 5
The Millennium: BeginProducer Curt Boettcher pushed early sixteen-track recording technology to its outer limits on this sunshine psychedelic cathedral. Celestial multi-part harmonies, shimmering harpsichords and tape phase manipulation swirl around impeccably crafted melodies that sound like a lost Californian dream.0 - 6
The Byrds: The Notorious Byrd BrothersCreated amid intense band turmoil, this 1968 masterpiece effortlessly integrated Moog synthesisers, country pedal steel, phased drumming and Roger McGuinn's chiming twelve-string Rickenbacker. Tracks like Goin' Back and Draft Morning achieve sublime harmonic lift.0 - 7
13th Floor Elevators: The Psychedelic Sounds of the 13th Floor ElevatorsRoky Erickson and Tommy Hall coined the term psychedelic rock on this blistering 1966 Texas garage landmark. Hall's amplified electric jug bubbles with otherworldly energy, while Erickson's feral, bluesy shriek drives You're Gonna Miss Me with raw teenage urgency.0 - 8
Small Faces: Ogdens' Nut Gone FlakeHoused in a famous circular tobacco tin sleeve, this 1968 classic features Steve Marriott's white-hot soul voice tearing through heavy phased blues-rock. Side two transitions into a delightful Cockney fairytale suite narrated by Stanley Unwin, brimming with infectious charm.0 - 9
Os Mutantes: Os MutantesRita Lee and brothers Arnaldo and Sérgio Baptista exploded the Brazilian Tropicalia movement with this anarchic, brilliant debut. Blending fuzz guitar feedback, home-made effects pedals and Rogério Duprat's avant-garde orchestral arrangements, their pop parodies remain delightfully irreverent.0 - 10
The Soft Machine: The Soft MachineRobert Wyatt's eccentric drumming and whimsical English vocals anchor this cornerstone of Canterbury psychedelia. Kevin Ayers's fuzzy basslines and Mike Ratledge's distorted Lowrey organ drive shifting time signatures that never lose their melodic wit.0
