Items20The creator’s order
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Trevor NoahBorn 20 Feb 1984Noah makes the act of explaining one culture to another part of the joke. African American is a useful starting point for his early American stand-up: the South African perspective changes what needs explaining and what suddenly looks strange. Listen to the movement between voices and to the…0i
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Gad ElmalehBorn 19 Apr 1971American Dream turns Elmaleh’s move into English-language stand-up into its own subject. American dating, food and slang become things to investigate rather than conventions the audience can take for granted. It is a particularly accessible starting point for English speakers curious about a…0i
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Bassem YoussefBorn 21 Mar 1974Youssef’s English and Arabic stand-up shows are different bodies of material, which makes him a useful corrective to the idea that touring abroad simply means translating the script. His interviews about the Middle Beast and Belly of the Beast shows discuss dialect, audience expectations and the…0i
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Vir DasBorn 31 May 1979Fool Volume draws on performances filmed in Mumbai, New York and London, making its changing audience context part of the presentation. Das is a useful choice for viewers interested in how an Indian comedian addresses people with different reference points without reducing the act to a national…0i
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Ronny ChiengAsian Comedian Destroys America! gives Chieng’s impatient stage persona a large target: habits in American life that seem ordinary until somebody insists on examining them. His experience across Malaysia, Singapore, Australia and the United States supplies several points of comparison. Choose this…0i
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Fumi AbeAbe’s Japanese-born, Ohio-raised background complicates the neat cultural introduction an audience might expect. His stand-up and conversations about developing it are useful for seeing how that untidy biography becomes material alongside dating, family and adult indecision. Start with an extended…0
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Yuriko KotaniKaiju About draws on Kotani’s life as a Japanese person in London, with the challenges of living in a second language supplying a precise observational viewpoint. Her interview about trying translated material in Japan is a useful companion: some of it worked, and some changed in less predictable…0i
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Takashi WakasugiWelcome to Japan makes a useful starting point for Wakasugi’s English-language comedy, while Farm Backpacker (Subclass 417) offers a different route through his experience in Australia. The contrast lets you hear a comic perspective shaped both by explaining home and by navigating life elsewhere.…0
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Yumi NagashimaMy Name Is Yumi is a good route into Nagashima’s English-language comedy, developed after moving from Tokyo to Vancouver. Her measured delivery lets an audience’s expectations become part of the setup, particularly when assumptions about Japanese women meet a much more assertive stage voice. Choose…0
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Kanan GillBorn 24 Dec 1989Gill offers a route into Indian English-language stand-up that does not depend on a running explanation of national differences. Is This It? examines ambition, ageing and the possibility that achieving a goal will not settle anything, while What Is This? took his work to the Melbourne and Edinburgh…0i