Items12The creator’s order
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Joan Ganz CooneyWhen Cooney helped develop Sesame Street for preschoolers, songs and animation could sit alongside the Muppets in a single episode. The variety made it possible to revisit a lesson in a different form before a restless viewer turned away. Her work is a starting point for seeing how producers can…0
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Rhoda PowerBorn May 29, 1890For BBC Schools Radio, Power brought history lessons to life with dialogue, sound and music. A classroom could hear the scene unfold and picture the setting from what the characters said and did. Her work shows why a lesson written for listening needs a different shape from a chapter read aloud.0
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Fred RogersBorn Mar 20, 1928When Mister Rogers’ Neighborhood showed how crayons were made, it took a familiar object and gave children time to watch the work behind it. The factory films sit alongside the puppets in the Neighborhood of Make-Believe, with the real and imaginary parts of the show doing different jobs. Start…0
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Julia ChildThe French Chef let you watch Child handle the tools and ingredients a recipe usually leaves you to imagine. She could use her own body to show where a cut of meat came from, teaching an unfamiliar term by pointing rather than defining it. Her gestures and props make the lesson easy to follow from…0
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Leonard BernsteinBorn Aug 25, 1918In the televised Young People’s Concert on what music means, Bernstein asks listeners to hear what an orchestra can suggest without telling a literal story. He can pose the question and have the New York Philharmonic play the evidence immediately. Watch it for the way he trusts children to hear for…0
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LeVar BurtonReading Rainbow could take a book about a railroad rescue and send Burton to see one up close before an overnight journey. The trip gives a child who hasn’t traveled by train sights and sounds to bring back to the page. Look for the way a reading show uses a field trip to give the next book a…0
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Carl SaganBorn Nov 9, 1934In Cosmos: A Personal Voyage, Sagan recalls a childhood library visit early in The Backbone of Night, an episode that asks what stars are. It gives the viewer a concrete point of entry into a question too large to take in all at once. This is the series to watch for how a personal memory can lead…0
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Bob RossBorn Oct 29, 1942The Joy of Painting gave viewers a canvas in progress, with each mark leading visibly to the next. Ross could place fresh paint over wet paint so a landscape took shape in a single lesson. Watch the brush as much as the emerging mountains. That sequence is the part a still photograph of the…0
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Bill NyeBorn Nov 27, 1955In the Motion episode of Bill Nye the Science Guy, a skateboard that needs a push and a bicycle that needs its brakes give inertia a scale young viewers already know. The show can move from the object to the physical principle and back again. Listen for the line about inertia in the song after…0
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David AttenboroughBorn May 8, 1926Life on Earth brings the viewer close enough to see an animal before asking where it fits in the larger story. Attenborough’s encounter with a gorilla family in Rwanda shows what location filming can teach that a studio presentation can only describe. There’s time to watch the animals as well as…0