Released Feb 8, 2014
Wes Anderson gives each time period its own shape. The hotel's 1930s heyday is in the near-square 1.37:1 of that era's movies, its faded 1960s self is in wide 2.40:1, and the 1980s framing story sits at 1.85:1. Once you notice, the frame tells you which layer of the story you're in, and the…