Deadwood (2004)

David Milch builds a raucous frontier settlement where mud, clattering stagecoaches, and unvarnished timber saloons create an unbroken acoustic tapestry. Dialogue delivered in ornate prose cuts through the constant background chaos of pickaxes, barking dogs, and piano uprights. The unpolished room acoustics capture a civilisation violently constructing itself out of the wilderness without musical sentimentality.