Nina Conti

In Your Face turns audience participation into an unusual double act: Conti supplies a voice through a controllable mask while a volunteer supplies the body underneath it. The mismatch between what the person does and what the invented character says creates the scene. Watch how she responds to posture and hesitation rather than forcing every participant into the same part. This is ventriloquism built around another person’s presence, and a useful choice for viewers who want interaction to change the form of the performance itself.