Björk

Björk’s public image turns clothing and headwear into an imaginative extension of the music. James Merry’s intricate masks have become a recurring element, alongside stylist Edda Gudmundsdottir’s work with unusually sculptural clothes. Compare the red Loewe dress at The Northman premiere with the elaborate festival ensembles: the materials change, but the interest in unfamiliar forms persists. Credit the collaborators rather than treating every object as her own design. This is a reference for building a visual world, not an everyday uniform.