I Hate Suzie (2020)

When private images become public, an actress has to manage the collapse of several versions of herself at once. Billie Piper turns panic and performance into the series' physical language, with shifts in style making it harder to find a safe distance. The connection to Fleabag is the effort of controlling how one is seen. It is much more abrasive and formally restless, including the dance-competition follow-up I Hate Suzie Too.