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Pnin (1957)
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Pnin’s difficulties with rooms, timetables and colleagues make belonging to a university feel provisional. His scholarship and generosity sit beside an institution that can treat him as a comic inconvenience. Nabokov’s shifting narrative perspective asks who has the power to make another person look ridiculous. Choose it for a tender, unsettling portrait of an émigré teacher whose professional home may never be entirely his to keep.
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