The Blazing World (2014)

Harriet Burden presents her installations through male collaborators to test what changes when the maker appears to be a man. Each exhibition makes credit and control part of the work itself, with consequences for the partnerships supporting it. Hustvedt's disputed archive of voices means no single account settles what happened. The formal uncertainty suits an art world in which the person explaining a piece can acquire as much power as the person who made it.