Synners (1991)

Cadigan follows the people who make and distribute manufactured experiences, with musicians, technicians and corporate employers all entangled in the same network. A direct connection between mind and media promises new possibilities while creating new ways to lose control. Choose it for an ensemble view of creative and technical labour, rather than one glamorous hacker saving the day. Its shifting viewpoints and accumulated jargon demand attention, and its intimacy with addiction is uncomfortable.