The House on the Borderland (1946)

Hodgson constructs an isolated stone dwelling in remote western Ireland that sits directly atop an unfathomable subterranean chasm. The house serves as a permeable threshold where geological time, swine-like apparitions, and cosmic voids collide against thick masonry walls. It remains one of the earliest and most visionary portraits of a domestic sanctuary invaded and unmade by non-Euclidean terror.