White Is for Witching (2009)

Oyeyemi shattered my conventional notions of the haunted house by rendering the estate itself a sentient, xenophobic predator perched on the Dover cliffs. Through Miranda's insatiable pica and the claustrophobic hostility of 29 Barton Road, domestic architecture ceases to be a passive backdrop and becomes an aggressive, suffocating manifestation of racial anxiety and inherited grief.