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Sehar (2005)
7.7/10on IMDb
Released
The police work is built from teams, information and institutional limits rather than an invincible officer. Arshad Warsi's restrained performance supports that approach. It is a useful corrective within a decade that also produced much louder law-enforcement fantasies.
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Rocket Singh: Salesman of the Year (2009)
7.5/10on IMDb
Released
The office's incentives make a young salesman's scruples both awkward and practical. Ranbir Kapoor gives the comedy a modest, attentive centre. Its account of work and customer relationships is more distinctive than a routine celebration of entrepreneurial ambition.
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Wake Up Sid (2009)
7.6/10on IMDb
Released
The young man's delayed independence gains interest through the routines of another person's working life. Mumbai is a place to learn to inhabit, not simply a fashionable backdrop. The gentle scale makes it a good companion to the decade's more emphatic coming-of-age films.
More about Wake Up Sid28
Rock On!! (2008)
7.7/10on IMDb
Released
The reunion is persuasive because adult obligations have changed the meaning of the band's old ambitions. Performances and rehearsals carry the relationships. The music gives the film a specific social memory rather than merely supplying uplift at the end.
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Parineeta (2005)
7.2/10on IMDb
Released
Vidya Balan gives the period romance an assured emotional centre. The production design is attractive, but the characters' assumptions about money and marriage provide the real friction. It is a polished choice for a slower evening with old-fashioned melodramatic stakes.
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Life in a Metro (2007)
7.4/10on IMDb
Released
Interlocking relationships make the city feel crowded with competing private compromises. The ensemble prevents its romantic questions from resolving into a single ideal couple. Its musical interruptions also give the urban drama an identity distinct from straightforward social realism.
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