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Items12

1

The Meters: Just Kissed My Baby

by record_digger  • 
The Meters: Just Kissed My Baby
Song
New Orleans funk at its most minimalist and lethal. George Porter Jr.'s prowling bass, Leo Nocentelli's muted wah-wah guitar scratches and Zigaboo Modeliste's idiosyncratic behind-the-beat drumming weave together into a clinic of syncopated space.
2

Parliament: Flash Light

by record_digger  • 
Parliament: Flash Light
Song
Bernie Worrell rewrote the sonic grammar of modern bass using three interconnected Minimoog synthesizers. Locked with Jerome Brailey's crisp rimshots and Bootsy Collins's rhythmic concepts, this 1977 anthem laid the groundwork for hip-hop and electro.
3

Tower of Power: What Is Hip?

by record_digger  • 
Tower of Power: What Is Hip?
Song
Bay Area funk executed with surgical virtuosity. Francis 'Rocco' Prestia's relentless, muted sixteenth-note fingerstyle bassline and David Garibaldi's linear drumming lock into a rhythm section machine that powers the razor-sharp five-piece horn section.
4

Stevie Wonder: Higher Ground

by record_digger  • 
Stevie Wonder: Higher Ground
Song
Recorded with Stevie playing every single instrument himself in a three-hour trance of inspiration. The driving percussive pulse of his envelope-filtered Hohner Clavinet D6 and Moog synthesizer bass create a propulsive funk train that never wavers.
5

Rufus featuring Chaka Khan: Tell Me Something Good

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Rufus featuring Chaka Khan: Tell Me Something Good
Song
Written by Stevie Wonder for Rufus, this slow-burning groove is built on Tony Maiden's pioneering talk-box guitar riff and Bobby Watson's fat, deliberate bass notes. Chaka Khan's incandescent vocal delivery glides over a rhythm that leaves massive breathing room.
6

Earth, Wind & Fire: Serpentine Fire

by record_digger  • 
Earth, Wind & Fire: Serpentine Fire
Song
Maurice White constructed this polyrhythmic tour de force with breathtaking attention to detail. Verdine White's melodic bass hooks, Fred White's driving percussion, delicate kalimba plucks and the Phenix Horns' piercing fanfares create an unstoppable groove machine.
7

Kool & The Gang: Jungle Boogie

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Kool & The Gang: Jungle Boogie
Song
Built around Robert 'Kool' Bell's rumbling, foundational bass riff and Charles Smith's percussive rhythm guitar chops, this 1973 hit is pure physical power. Dennis Thomas's vocal chants and horn stabs provide instant, electrifying street excitement.
8

The J.B.'s: Pass the Peas

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The J.B.'s: Pass the Peas
Song
Arranged by trombonist Fred Wesley and overseen by James Brown, this instrumental masterclass demonstrates the concept of the one in its purest form. John 'Jabo' Starks's snare work and Hearlon 'Cheese' Martin's chicken-scratch guitar leave no wasted motion.
9

Sly and the Family Stone: If You Want Me to Stay

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Sly and the Family Stone: If You Want Me to Stay
Song
A nineteen-year-old Rustee Allen stepped into Larry Graham's shoes and delivered one of the most melodic, bouncy basslines ever recorded. Sly Stone cushions it with muted Clavinet chords and gentle brass whispers, keeping the groove impeccably cool.
10

Commodores: Brick House

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Commodores: Brick House
Song
Driven by Ronald LaPread's instantly recognisable walking bassline and Walter Orange's thumping kick drum, Brick House is a masterclass in heavy four-on-the-floor funk. Chester Fortune's staccato guitar fills stitch every vocal phrase together.
11

Graham Central Station: The Jam

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Graham Central Station: The Jam
Song
The ultimate manifesto of functional funk arrangement. Slap-bass pioneer Larry Graham literally introduces each band member and instrument one by one, allowing listeners to hear how the drums, Clavinet, organ, guitar and thumping thumb bass interlock into a ferocious groove.
12

Ohio Players: Skin Tight

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Ohio Players: Skin Tight
Song
Straight out of Dayton, Ohio, this Midwest funk landmark relies on Marshall Jones's deep electric bass pocket and Billy Beck's funky keyboards. Leroy 'Sugarfoot' Bonner's scratching rhythm guitar and gravelly scat vocals give the track raw street grit.

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