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Fisk (2021)
8.0/10on IMDb
First aired
Helen's new job in a suburban Australian probate practice comes after her personal and professional life has unravelled. The restart involves unfamiliar colleagues and work she cannot make prestigious by force of personality. Kitty Flanagan makes competence and social awkwardness coexist. Choose it for the practical indignities of beginning again, without a makeover or a miraculous new vocation.
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Somebody Somewhere (2022)
8.3/10on IMDb
First aired
Sam's return to Kansas in her forties carries grief and the sense that a different life was supposed to have happened elsewhere. Somebody Somewhere lets singing and friendship create possibilities gradually. Family obligations do not disappear, and she does not have to become tidier or more conventionally successful to deserve good company. Small invitations do more work than a triumphant announcement.
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GameFace (2017)
7.7/10on IMDb
First aired
Driving lessons, unsuccessful auditions and questionable life coaching give Marcella's efforts to get on track an embarrassingly practical shape. In GameFace, being in her thirties has not made independence or relationships simple. Roisin Conaty's stubborn optimism is the attraction: recognising a difficulty is useful, but somebody still has to turn up and try again.
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Life & Beth (2022)
6.6/10on IMDb
First aired
Beth's apparently settled adult life stops making sense after a family loss returns her to her Long Island past. Life & Beth connects new choices with experiences she has avoided examining, mixing uncomfortable comedy with direct emotion. A different address would be the easy version of the restart; reconsidering the history she carries into every relationship is the more interesting part.
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Enlightened (2011)
7.5/10on IMDb
First aired
Amy returns from treatment determined to live differently, but her employer has a much less inspiring place ready for her. Laura Dern lets genuine insight coexist with vanity, impatience and the desire to be recognised as transformed. The workplace makes good intentions face practical limits. Choose it for the uncomfortable gap between having a revelation and learning how to act on it.
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Togetherness (2015)
7.5/10on IMDb
First aired
An overcrowded Los Angeles household makes it difficult for four adults to change careers, marriages or ambitions in private. Togetherness keeps rent, childcare and the awkwardness of needing a spare room inside the story. Its comedy is intimate and uneasy, giving particular weight to the compromises that remain after somebody admits an old arrangement is no longer working.
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Offspring (2010)
8.3/10on IMDb
First aired
Nina Proudman's medical competence does not organise the rest of her life for her. Offspring keeps new romantic and family chapters in contact with work and the Proudman family's established expectations. Asher Keddie's anxious inner commentary supplies humour without erasing grief. The Australian drama makes progress feel like an accumulation of adjustments rather than one clean reinvention.
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800 Words (2015)
8.0/10on IMDb
First aired
George's plan to rebuild after his wife's death involves taking his children from Sydney to Weld in New Zealand. They have not all signed up to the same version of starting again. 800 Words gives parenting, work and local involvement room to interfere with the attractive relocation idea, in a warm and sometimes deliberately broad family drama.
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Back to Life (2019)
7.6/10on IMDb
First aired
Miri returns to her parents' home after eighteen years in prison and must rebuild an adult life under intense local scrutiny. Finding work and making a friend become substantial steps because the past cannot be put away on request. The British comedy-drama has real compassion beneath its darkness. Choose it for a restart constrained by stigma, with shame and violence still consequential.
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This Way Up (2019)
7.8/10on IMDb
First aired
Áine resumes teaching after a mental-health crisis while her sister keeps trying to judge whether she is all right. Recovery includes work, boredom, attraction and the effort of maintaining ordinary contact. Aisling Bea allows humour without making distress a quirky talent. Choose it for a restart that remains uneven, and for the difficult boundary between being supported and being watched.
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Shrinking (2023)
8.2/10on IMDb
First aired
Jimmy's return to engaged parenting and work after his wife's death begins with behaviour that often makes matters worse. Jason Segel's therapist is a flawed professional rather than a source of reliable counselling advice. Friendship and family give his decisions consequences beyond his own grief. Choose it for a warm, sometimes broad comedy about rebuilding trust after withdrawing from a shared life.
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Love Life (2020)
7.4/10on IMDb
First aired
The second season of Love Life is the focused choice here: Marcus has to reconsider his future after the marriage he expected to organise it collapses. Work, friendship and dating expose questions a new partner cannot answer on his behalf. The anthology's changing protagonist lets that particular period of adult uncertainty receive a complete season of attention.
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Colin from Accounts (2022)
8.1/10on IMDb
First aired
Gordon's established routines in his forties are disrupted by Ashley and the injured dog they suddenly share responsibility for. The practical arrangement makes affection encounter different expectations about adulthood. The Australian series is frank and physically awkward. Choose it for a fresh relationship that has to fit around people who already have habits, responsibilities and a less flattering private history.
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Catastrophe (2015)
8.2/10on IMDb
First aired
A pregnancy asks two adults to reorganise separate lives into something they have not had time to imagine properly. Work, parents and money keep turning the romantic decision into a practical one. Rob Delaney and Sharon Horgan make the compromises funny and sometimes ugly. Choose it for starting again without pretending that existing habits politely step aside for the new family.
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Trying (2020)
8.0/10on IMDb
First aired
Nikki and Jason's adoption plans require them to revise what they imagined parenthood would look like and assess the home they can actually offer. Trying makes preparation, bureaucracy and mutual adjustment part of the new chapter. Its British humour is warmer than several choices here, with established affection tested by uncertainty rather than created by a sudden transformation.
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Nobody Wants This (2024)
7.7/10on IMDb
First aired
Joanne and Noah's relationship requires them to think about work, faith, family and the future each assumed they wanted. The glossy romantic comedy makes reinvention look easier financially than it will for many viewers. Its useful question is who is being asked to accommodate whom. Choose it for adults discovering that a promising relationship also requires revising a settled account of themselves.
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Younger (2015)
7.7/10on IMDb
First aired
Liza's publishing restart depends on pretending she is much younger, so every new opportunity in Younger brings an ethical and practical complication with it. This is glossy career fantasy with money simplified. The recognisable wish is to have experience valued without being ruled out by a number; the comedy keeps testing what that invented route back costs her.
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Work in Progress (2019)
7.4/10on IMDb
First aired
Abby's new relationship in her forties does not remove anxiety, depression or obsessive thinking from ordinary life. Work in Progress allows awkward conversations to resist a neat final lesson. Its humour is blunt and suicidal distress is explicit. There is particular value in a queer adult being allowed to need change and care without becoming an inspirationally finished person.
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UnPrisoned (2023)
7.0/10on IMDb
First aired
Paige has organised a life as a therapist and parent when her father leaves prison and moves into the household. UnPrisoned unsettles that arrangement through old family patterns her professional vocabulary cannot neutralise. Kerry Washington and Delroy Lindo make the reunion funny and painful, with renegotiated boundaries doing more useful work than the promise that being together will fix everything.
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Platonic (2023)
7.2/10on IMDb
First aired
A renewed friendship gives Sylvia and Will a chance to question the adult roles they have settled into. It also provides an excellent excuse to avoid useful change. Platonic makes the midlife chaos energetic through Rose Byrne and Seth Rogen, while keeping partners, work and uneven domestic responsibilities close enough to be affected by the next apparently liberating idea.
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