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Sutliyan (2022)
6.7/10on IMDb
First aired
Adult children return to Bhopal for Diwali with unsettled lives and conflicting ideas about what their mother should do next. Ayesha Raza Mishra gives Supriya desires beyond receiving the family back. The small scenes of reunion are the attraction: somebody can be delighted to see a relative and still feel the old arrangement tightening around them.
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Maa Ka Sum (2026)
6.1/10on IMDb
First aired
A mathematically gifted son decides he can calculate a suitable partner for his mother. Mona Singh's Vinita gives the 2026 dramedy its essential counterweight: helping a parent is not the same as having authority over her emotional life. Its broad dating experiments are lighter than several dramas here, with the family question resting on where loving involvement becomes interference.
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Ghar Waapsi (2022)
8.7/10on IMDb
First aired
Shekhar's return to Indore after losing his job makes him a son at home again while he is still trying to appear professionally successful. The family has its own routines, pressures and disappointments. Its particular strength is the awkward adjustment on both sides: people who love him cannot simply restore his old room and undo the years he has been away.
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Saas Bahu Achaar Pvt. Ltd. (2022)
8.3/10on IMDb
First aired
Suman starts a pickle business while trying to rebuild a life that will allow her children to live with her. Her former mother-in-law becomes an unexpected source of practical support. Amruta Subhash makes the work and wounded pride persuasive, giving this family drama a memorable bond that survives the marriage which originally created it.
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Family Aaj Kal (2024)
6.4/10on IMDb
First aired
The Kashyaps consider themselves open-minded until their daughter wants to marry a cab driver. Suddenly, concern about her future starts sounding very like a judgement about another person's class. The compact comedy-drama is worth watching for parents having to examine the gap between the values they announce and the choices they are prepared to accept at their own table.
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Home (2018)
First aired
The Sethis face eviction from the home around which their family life has been organised. Annu Kapoor and Supriya Pilgaonkar make the threatened building more than a financial asset: it holds routines, dignity and competing views of how to fight back. This is the outward-facing family drama here, showing a household's obligations changing when it must also act with its neighbours.
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Happy Family, Conditions Apply (2023)
6.6/10on IMDb
First aired
Four generations of the comfortable Dholakia household have very different ideas about privacy, independence and remaining a joint family. Ratna Pathak Shah gives the arguments an exuberant comic edge. Choose this for broad ensemble comedy with a real family negotiation underneath, especially the question of whether wanting a separate home is necessarily a rejection of the people in it.
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Salt City (2022)
6.1/10on IMDb
First aired
The Bajpais' shared history keeps reaching into their adult relationships, exposing loyalties that are less settled than the family would like to believe. The Mumbai-set Hindi-English drama, with Piyush Mishra and Divyenndu, is the more turbulent choice here. Its secrets and confrontations suit a viewer who wants the resentment beneath family duty brought fully into the open.
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Masoom (2022)
5.9/10on IMDb
First aired
Returning after her mother's death, Sana begins questioning the account offered by her father and the home she thought she understood. Boman Irani and Samara Tijori make trust between parent and adult child the thriller's central difficulty. The Punjabi setting belongs to a Hindi-led series; choose it for a sombre family mystery in which familiarity provides very little certainty.
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The Great Indian Dysfunctional Family (2018)
7.0/10on IMDb
First aired
A brother's return brings the Ranauts' grievances and concealed relationships back into circulation. Kay Kay Menon and Barun Sobti anchor a family that can turn a reunion into a contest over whose account of the past survives. Its dark humour and heightened confrontations make a sharper ending to this collection, where affection offers no guarantee of considerate behaviour.
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