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The Exorcist (2016)
7.9/10on IMDb
First aired
Possession becomes a test of who is believed, who receives care and what an institution will conceal to preserve its authority. The two priests' differences give the confrontations more substance than a sequence of ritual effects. The 2016 television continuation has its own identity, with disturbing bodily violence and two seasons that ended before the wider story was finished.
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Brand New Cherry Flavor (2021)
7.1/10on IMDb
First aired
A filmmaker's attempt to reclaim her work turns a Hollywood revenge story into a grotesque bargain about bodies and ownership. Its aggressive surrealism is the point, with Rosa Salazar and Catherine Keener making the power struggle compelling even when it becomes wilfully unpleasant. Choose this limited series for extreme body horror, sexual material and a nasty sense of humour.
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In the Flesh (2013)
7.9/10on IMDb
First aired
A treated young zombie returns home to a community that would prefer to define him by the danger he once represented. Makeup, medication and political language make rehabilitation a concrete social problem. It is a compassionate, disturbing use of the undead, with suicide and prejudice central to the story and a two-season cancellation leaving larger conflicts open.
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The River (2012)
6.8/10on IMDb
First aired
A missing wildlife presenter draws a documentary crew into an Amazonian search, where recording an experience does not mean understanding it. Found-footage conventions become part of the question about outsiders taking stories from a place. The short American series mixes uncanny encounters with sudden shocks; its eight-episode run leaves the larger expedition unfinished.
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Dead Set (2008)
7.5/10on IMDb
First aired
A zombie outbreak leaves reality-show contestants sheltered inside a house designed to keep them ignorant of the outside world. The television apparatus becomes both an absurd refuge and a trap. Charlie Brooker's finite horror satire earns its concept through production routines and audience appetite, with ferocious gore and very little sentimental protection for its characters.
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Crazyhead (2016)
7.2/10on IMDb
First aired
Two young women who can see demons build an unruly friendship around the work of surviving them. The comedy comes from embarrassment, anger and bad coping strategies as much as supernatural combat. This six-episode discovery is foul-mouthed and physically nasty, using horror to make loneliness and the relief of finding an ally unusually tangible.
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The Baby (2022)
6.3/10on IMDb
First aired
A woman who does not want children is landed with an infant whose demands have lethal consequences. The absurd premise makes social pressure and the denial of choice into literal horror. Its eight-part limited story shifts between vicious slapstick and painful history, with deaths, coercion and infant-related peril keeping it well outside cosy supernatural comedy.
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Deadwax (2018)
6.6/10on IMDb
First aired
A vinyl tracker searches for a record whose sound can destroy its listeners. The investigation gives collecting, obsession and the physical act of listening a genuinely dangerous texture. Short episodes and attentive sound design make this a concentrated discovery for an archive-minded viewer, with eerie recordings leading into graphic and hallucinatory horror.
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NOS4A2 (2019)
6.7/10on IMDb
First aired
A young woman's ability to find lost things puts her against a predator who turns Christmas nostalgia into a prison for children. The imaginative geography matters as much as the monster: places grow out of what their owners need. Its two-season adaptation mixes family damage with grisly fantasy and sustained child peril.
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Fortitude (2015)
7.3/10on IMDb
First aired
An Arctic settlement's claim to be orderly and safe breaks down through a murder and a much stranger biological threat. Environmental isolation exposes the bargains that have allowed people to live together there. The series is an uneven but unusually physical collision of civic secrecy, bodily infection and spectacular landscape, with severe violence and grotesque transformations.
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Revival (2025)
6.5/10on IMDb
First aired
The recently dead return to a Wisconsin town as recognisable people, making family obligation and suspicion more important than the usual ravenous horde. A police investigation forces the living to decide whose identity they will accept. The 2025 series offers an appealing rural social puzzle and graphic horror, but its ten-episode run was cancelled without a second season.
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Chapelwaite (2021)
7.1/10on IMDb
First aired
A widowed captain brings his mixed-race children to an inherited Maine house whose neighbours and family history offer little welcome. Gothic inheritance becomes a problem of prejudice, illness and responsibility rather than simply an impressive building. The ten-part story supplies a sombre, deliberately paced route into supernatural corruption, with grim violence and danger to children.
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