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Perilloor Premier League (2024)
7.4/10on IMDb
First aired
Malavika arrives in Perilloor with a romantic hope and ends up caught in village politics. The pleasure is in watching personal favours, local rivalries and everyday opportunism turn a seemingly modest position into a full-time negotiation. Start here for a bustling community comedy rather than a polished account of how government ought to work.
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Jai Mahendran (2024)
6.9/10on IMDb
First aired
A deputy tahsildar who knows how to work the system discovers that office politics can work against him too. Mahendran’s attempts to protect his position make the government office feel like a small economy of favours, influence and wounded pride. A good choice when you want workplace observation with more bite than reassurance.
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Love Under Construction (2025)
6.6/10on IMDb
First aired
Returning from the Gulf, Vinod wants to build a home and a future, but neither love nor construction follows a tidy budget. Family expectations and the emotional meaning of owning a house give the comedy its weight. Particularly satisfying if the small decisions around money interest you as much as the eventual romantic outcome.
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Pharma (2025)
First aired
The working day of a medical representative becomes a route into the pressures and compromises of pharmaceutical sales. Nivin Pauly’s central character has a living to earn before the wider ethical questions become unavoidable. This is the darker workplace choice here, useful for viewers who want ambition examined alongside the human cost of doing business.
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Manorathangal (2024)
6.3/10on IMDb
First aired
Nine adaptations of M. T. Vasudevan Nair’s stories offer a different rhythm from a single continuing plot. Memory, status and strained human attachments matter more than a race to the next twist. Choose an episode when you want the texture of a life or relationship, while allowing for considerable variation in tone between the stories.
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Soul Stories (2024)
7.0/10on IMDb
First aired
This anthology places women’s experiences at the centre of stories about social expectations, consent and unequal treatment. Its appeal is the chance to move between different situations rather than ask one heroine to represent everyone. The subject matter can be painful, making it a thoughtful next step after the lighter domestic comedies.
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Thera Para (2018)
9.0/10on IMDb
First aired
Karikku’s serialised story of George, Lolan, Shibu and Shambu turns shared accommodation, unemployment and uncertain ambitions into a lived-in comic world. It belongs here as a continuing web series, rather than a bundle of unrelated sketches. The friends’ dependence on one another is as important as the jokes, especially when having a plan is easier than paying for it.
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Masterpeace (2023)
6.2/10on IMDb
First aired
A couple’s marital disagreement becomes a family summit when their parents decide to intervene. Nithya Menen and Sharaf U Dheen anchor a deliberately heightened comedy about the way concern can become interference. Pick it for the recognisable struggle to keep an adult relationship from turning into everyone else’s project, with a much louder presentation than the quieter dramas here.
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