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Zendaya
Born
Zendaya and stylist Law Roach make fashion history part of a film's visual world. The metallic Mugler suit she wore to the London Dune: Part Two premiere in 2024 came from the 1995 couture collection, yet its articulated silhouette felt purpose-built for science fiction. Follow their choices for the relationship between an event, an archive and an unexpected material. The interest is in the interpretation as much as the extraordinary garment.
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Rihanna
Born
Compare the embroidered yellow Guo Pei cape at the 2015 Met Gala with her floral Comme des Garçons construction in 2017. One commands space through a sweeping train; the other builds it around the wearer in layered, petal-like forms. Rihanna makes a compelling starting point for readers who enjoy a dress as architecture. Look up the designers and collections alongside the photographs: the clothes bring their own histories to the entrance.
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Billy Porter
Born
Porter's Christian Siriano tuxedo gown at the 2019 Oscars gives familiar black-tie ingredients a completely different outline. The tailored jacket and expansive velvet skirt work together, making the change legible before any explanation is supplied. He is worth following for the way a formal dress code can become a creative brief. Credit Siriano's construction and watch how the garment moves, rather than reducing the look to a single still image.
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Tilda Swinton
Born
Swinton's pink Haider Ackermann jacket, orange trousers and green sequinned sleeves at Cannes in 2021 turned colour blocking into a precise experiment. Cropped tailoring meets long, wide trouser legs, while the textured sleeves add a third emphatic colour. Her collaborations with Ackermann offer a rewarding route into red-carpet invention: compare the angle of a shoulder and the proportions of the separate pieces, and the decisions become legible in the silhouette.
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Lupita Nyong'o
Born
Nyong'o's 2019 Met Gala look joined a Versace column gown, sculptural ruffled jacket and matching fan into one colourful proposition. Stylist Micaela Erlanger worked with Donatella Versace on the combination, so the accessory belongs to the composition rather than arriving as an afterthought. Follow this team for playful uses of colour, texture and proportion. The useful question is how several emphatic elements support one idea without becoming interchangeable decoration.
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Janelle Monáe
Born
The oversized Thom Browne coat at the 2023 Met Gala became an entrance with a second act, opening to reveal a sheer pannier structure beneath. Monáe treated the outfit as an evolving experience, making movement part of its design. Start there if a fixed photograph rarely tells you enough about a look. The pleasure is in Browne's exaggerated tailoring and the performer's control of its reveal, with each layer changing the outline.
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Lady Gaga
Born
Four Brandon Maxwell looks made Gaga's 2019 Met Gala entrance a short piece of theatre. The opening pink cape gown established an enormous scale, and each change altered the pace as well as the silhouette. Watch the sequence rather than selecting a favourite still. Maxwell and the wider creative team made timing, preparation and clothing part of one performance, demonstrating how an entrance can have a structure of its own.
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Björk
Born
Marjan Pejoski's swan dress at the 2001 Oscars still offers a useful challenge to solemn red-carpet taste. Its long neck and head made an animal shape part of the garment, carrying humour into an occasion usually governed by polished formality. Björk is rewarding to follow when clothes operate as an imaginative extension of an artist's world. Allow room for the joke as well as the craftsmanship; seriousness is not the only route to a memorable design.
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Cate Blanchett
Born
Blanchett's blue draped Louis Vuitton top and long black skirt at the 2023 Oscars make a strong colour contrast feel remarkably calm. The loose, reflective fabric above the waist meets a much narrower line below, with the train carrying that line onto the carpet. She offers a useful counterpoint to the most theatrical choices here: a distinctive design decision can lie in the relationship between two familiar pieces. Study the folds and proportions before looking for more decoration.
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Solange Knowles
Born
Solange's circular Giles Deacon dress at the 2015 Met Gala made the outline itself the event. Its broad, graphic form changed how the wearer occupied the photograph, offering an entirely different use of space from a trailing gown. Study the pattern together with the construction. Deacon's design makes the silhouette readable at a distance, while a closer view lets the image inside it complicate that first impression.
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Tracee Ellis Ross
Born
A mass of pink gathered fabric became the whole proposition of Ross's Valentino gown at the 2018 Emmys. Working with stylist Karla Welch, she committed to the volume instead of splitting attention between several unrelated statements. The pleasure is in seeing that scale animated: the way she carries the dress makes it exuberant, and the concentrated colour keeps the shape easy to read.
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Gwendoline Christie
Born
Christie's ivory Gucci gown and red cape with gold embroidery at the 2019 Emmys brought dramatic drapery and an almost ceremonial presence to the carpet. Its appeal lies in the complete visual proposition, with the shape doing more than a collection of fashionable details could. She is worth following if you like clothes that suggest a character without simply reproducing a screen costume. Credit the fashion design, then notice how posture and movement make its scale convincing.
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Hunter Schafer
Born
At the 2024 Cannes premiere of Kinds of Kindness, Schafer wore a light-blue Armani Privé gown whose polished surface made every fold visible. A turned-over neckline and low gathered waist gave a long, simple outline an unexpected structure. The photograph is worth studying for how the reflective material shifts from bright highlights to cool shadows. Her experimental fashion is especially rewarding when a garment's construction supplies the drama.
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Emma Corrin
Born
A pale Miu Miu dress, matching bonnet, fingerless gloves and long dark nails gave Corrin's 2021 Emmys appearance an unsettlingly coherent mood. Stylist Harry Lambert helped develop a look whose force came from the relationship between small details. Follow their collaborations for references that are playful, strange and carefully joined up. The bonnet is memorable because the rest of the styling supports its logic, not because an unusual accessory automatically makes an outfit interesting.
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Timothée Chalamet
Born
Chalamet's red Haider Ackermann halterneck ensemble at the 2022 Venice premiere of Bones and All offered eveningwear with an entirely different construction from a tuxedo. The strong colour and scarf-like neckline kept the idea readable while the cut changed the silhouette. He is a useful reference for readers curious about inventive formal dressing through tailoring and drape. Look at the designer's handling of fabric before treating the appearance solely as a celebrity spectacle.
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Harry Styles
Born
The black Gucci blouse and high-waisted trousers at the 2019 Met Gala made texture and proportion do the work, with a single pearl earring completing the look. Stylist Harry Lambert and Gucci's Alessandro Michele helped articulate an image that used familiar formal pieces in a different register. Follow Styles for the small choices within an exuberant wardrobe as well as its louder moments. A sleeve, neckline or accessory can change the whole reading of an outfit.
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Lil Nas X
Cape, armour, embellished fitted layer: Lil Nas X's three gold Versace looks at the 2021 Met Gala changed the silhouette while keeping the colour continuous. Each stage gave the material a different apparent weight and the wearer a different role. His entrances are rewarding to watch in sequence, with the designers' construction and the timing of a reveal supplying an interest that one photograph cannot fully capture.
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Bad Bunny
Born
The white Jacquemus suit Bad Bunny wore to the 2023 Met Gala had a tailored front, a backless jacket and a long flower-edged train. Its restrained palette made the altered construction unusually clear. Watch the coat in motion: formal menswear acquires softness and theatrical space through the fabric travelling behind it, with the surprise coming from shape rather than an elaborate print.
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Colman Domingo
Born
Domingo's 2024 Oscars Louis Vuitton ensemble brought flared trousers, cowboy boots and jewellery into a recognisably formal black suit. The details changed its rhythm without making the overall idea difficult to read. Follow him for inventive tailoring that rewards a second look, especially the relationship between a trouser line and its footwear. The designers and stylists help build the image, while his ease in carrying the combination gives it its particular character.
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Dan Levy (Canadian actor)
Born
Levy's 2021 Met Gala Loewe look, developed with Jonathan Anderson, translated David Wojnarowicz's artwork into an expansive, graphic outfit. It offers a route into fashion that asks the viewer to follow a reference beyond the garment. Notice how the image changes across the clothes, then explore the artist rather than treating the motif as anonymous decoration. The value is the conversation between design, art and the person wearing it, with room to question the interpretation too.
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Pedro Pascal
Born
Pascal put a red Valentino coat and matching shirt over short black shorts at the 2023 Met Gala, then used substantial boots to balance the abbreviated lower half. A very simple palette made the difference in lengths conspicuous. This is an accessible experiment to study: familiar formal pieces become slightly unruly through their proportions and the way they are assembled.
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Ranveer Singh
Dense floral embroidery gives Singh's red Sabyasachi sherwani at the 2022 Marrakech Film Festival opening a richness that rewards a closer view. Stylist Eka Lakhani helped assemble the wardrobe for the visit, giving Indian tailoring room within an exuberant sequence of public appearances. Start with the contrast between the disciplined high collar and the busy surface. It offers a more useful way into his style than simply labelling an emphatic colour choice eccentric.
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Sonam Kapoor
Born
Kapoor's 2018 Cannes Ralph & Russo lehenga, styled by Rhea Kapoor and Deep Kailey, brought an Indian silhouette into an international couture setting. The expansive skirt, embroidered blouse and train made the whole shape the point of interest. Follow her for the conversation between different fashion vocabularies, paying attention to the credited makers and styling team. The pleasure lies in how the elements are assembled for the occasion, rather than assuming one tradition must replace another.
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Deepika Padukone
Born
Padukone's lime-green Giambattista Valli tulle gown at Cannes in 2019 used tier upon tier of volume, with pink bows and coordinating headwear extending the palette. Stylist Shaleena Nathani helped shape the appearance. Choose her red-carpet work when you want a forceful commitment to colour and scale, then compare the pieces closely: an enormous dress still depends on decisions about where the eye should travel and which details should repeat.
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