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O Brother, Where Art Thou? (2000)
7.7/10on IMDb
Released
The Coens' Depression-era comedy is steeped in old-time music: three convicts escape a Mississippi chain gang in 1937 and, on the way to buried loot, cut a hit record as the Soggy Bottom Boys. It is loosely based on the Odyssey, which neither brother had read. The locations came out 'greener than Ireland', so Roger Deakins spent 11 weeks turning them dusty gold on computer, the first time a Hollywood feature was colour-graded digitally from start to finish. The soundtrack won the Grammy for Album of the Year, and 'Man of Constant Sorrow', sung by Dan Tyminski for a miming George Clooney, won one of its own.
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Cast Away (2000)
7.8/10on IMDb
Released
For long stretches it is just Tom Hanks, an island and silence. Once his FedEx plane goes down in the South Pacific there is no music score and barely a creature sound, and Hanks holds the screen with nobody to talk to but a volleyball with a face drawn in his own blood. Production stopped for about a year so he could lose the 50 pounds he had gained for the opening scenes, and Robert Zemeckis made What Lies Beneath with the same crew in the meantime. Hanks was Oscar-nominated. Wilson deserved one.
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American Psycho (2000)
7.6/10on IMDb
Released
Watch it as a comedy first. Mary Harron and her co-writer Guinevere Turner turn Bret Easton Ellis's novel about Patrick Bateman, a 1987 Manhattan investment banker with a punishing skincare routine and a second life as a serial killer, into a satire of yuppie vanity, where the tensest scene is a row of bankers comparing business cards. Christian Bale based his performance on a Tom Cruise television interview, all friendliness with nothing behind the eyes, and his deadpan carries it. The killings and sex are graphic, though the film drops most of the novel's violence, and the laughs land harder.
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