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1
The Celebration (1998)
8.0/10on IMDb
Released
The camera stays close enough to a family birthday dinner for a toast to feel like an intrusion. The handheld movement makes it hard to find a comfortable place to look once the son starts talking. Begin here to see what Dogme's stripped-down setup could do to a roomful of people.
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Mifune (1999)
7.1/10on IMDb
Released
Kresten's return to the family farm brings him back into his brother Rud's daily life. The farm feels occupied well before the story begins. Its lived-in look involved a few liberties: the director's Dogme confession mentions moving the furniture and coaxing the neighbor's hens into the shot.
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The King Is Alive (2000)
6.3/10on IMDb
Released
Stranded bus passengers try staging King Lear in a desert ghost town. It's an odd choice of diversion, which is part of the fun. The barren setting leaves nowhere for the performers to hide as the play starts bringing their resentments into the open.
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Lovers (1999)
6.2/10on IMDb
Released
A Paris bookstore introduces Jeanne and Dragan. The romance has an easy, unguarded quality that makes the pressure of his immigration status feel like an intrusion into something private. It shows how readily a movement associated with Danish family dramas could move into a different city and register.
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Julien Donkey-Boy (1999)
6.7/10on IMDb
Released
Werner Herzog plays a father who drills his son in wrestling. The video can feel like an unsettling family recording, especially when Herzog turns an ordinary instruction into an ordeal. Korine pushes the rough image toward something strange and staged, making this a good test of how far the label could stretch.
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Italian for Beginners (2000)
7.0/10on IMDb
Released
A beginner's language class gives lonely adults a reason to keep meeting. The plain rooms have a lot to do with the comedy: a clumsy exchange feels like something you could have overheard in a real class. Choose this if the movement's reputation for misery has kept you away.
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Truly Human (2001)
6.8/10on IMDb
Released
A young girl's imaginary friend becomes a real person. The premise sounds like it calls for visual effects, but the ordinary Danish settings are what give the story its bite. Watch how people make sense of a stranger whose arrival has no explanation they can accept.
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Kira's Reason: A Love Story (2001)
6.8/10on IMDb
Released
Kira comes home to her husband and children after treatment. Stine Stengade gives the reunion a strained energy, as if keeping things normal has become a full-time job. It's a close look at the pressure a respectable-looking household can put on someone trying to find her footing.
More about Kira's Reason: A Love Story9
Open Hearts (2002)
7.5/10on IMDb
Released
A car crash pulls two couples into one another's lives. The close camera lets you read a flicker of sympathy or guilt before a character has found the words for it. Pick this if you want to see how much emotional force a familiar relationship-drama premise can get from simply staying in the room.
More about Open Hearts10
Old, New, Borrowed and Blue (2003)
5.9/10on IMDb
Released
An old boyfriend turns up just as a bride-to-be needs everything to go smoothly. Sidse Babett Knudsen lets the woman's efforts to avoid an awkward conversation become the engine of the farce. It's an energetic counterpoint to the idea that an unpolished movie has to play like a tragedy.
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In Your Hands (2004)
6.7/10on IMDb
Released
A prison chaplain and an inmate bring very different kinds of authority into their conversations. The unadorned presentation leaves you with the awkwardness of two people trying to decide what they believe about each other. This is one to choose for the silences between the performances.
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Cabin Fever (2000)
6.7/10on IMDb
Released
The extended family piles into a mountain cabin for Christmas. The crowding makes each polite attempt at holiday cheer feel temporary. Pair it with The Celebration if you want to compare how a Norwegian cabin and a Danish hotel can make a family gathering feel equally inescapable.
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Fuckland (2000)
5.1/10on IMDb
Released
Shot covertly on the Falkland Islands, this Argentine entry lets the fiction brush up against people and places the camera doesn't appear to control. The tension between the filmed place and the character's ugly political fantasy makes it an especially uncomfortable example of what location shooting could mean.
More about Fuckland
