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Operation: Mindcrime (1988)
Released
Queensrÿche opens in a hospital, where Nikki starts looking back in “I Remember Now.” “Revolution Calling” gives his discontent somewhere to go, and “Suite Sister Mary” puts two points of view into the same scene. Listen for when the original narrator starts losing control of the story.
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Metropolis, Part 2: Scenes From a Memory (1999)
Released
Dream Theater places Nicholas under hypnosis in “Regression.” “Strange Déjà Vu” gives him glimpses of Victoria, and “Fatal Tragedy” starts to connect those glimpses to a death. Choose it when you want a progressive metal mystery that gives you clues before its final scene.
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Abigail (1987)
Released
King Diamond's opening funeral makes the family history feel ominous before Miriam and Jonathan arrive at the mansion in “Arrival.” Listen to how “The Family Ghost” gives Jonathan information that Miriam doesn’t have. This is the one to choose for horror told as a sequence of scenes.
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Leviathan (2004)
Released
Mastodon gets a crew moving in “Blood and Thunder,” while “Iron Tusk” and “Hearts Alive” make the hunt feel increasingly difficult to turn back from. It draws its shape from Moby-Dick. This is the fast, jagged way to hear that pursuit, with much of the pressure coming from the riffs.
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Operation: Mindcrime II (2006)
Released
“I'm American” reintroduces Nikki in a story that picks up after the first album. “The Hands” gives him a different register before his old conflict returns to the foreground. Start with the original to understand why the pursuit matters.
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Into the Electric Castle (2010)
Released
Ayreon gathers travelers in an unfamiliar place in “Welcome to the New Dimension.” Different singers give each character their own voice when they face the same obstacles. “The Decision Tree” shows why it matters which traveler is speaking.
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The Human Equation (2004)
Released
Ayreon gathers voices for different feelings around a man in a coma. “Day One: Vigil” gives the people at his bedside a place in the story, then the days turn inward. Choose it when you'd like to hear a large cast argue through a shared past.
More about The Human Equation8
Nightfall in Middle-Earth (1998)
Released
“War of Wrath” supplies an aftermath before “Into the Storm” rewinds to the struggle over the Silmarils. In “Nightfall,” Blind Guardian lets the loss of the Two Trees register through the voices of Tolkien’s elves. Choose it if you like short spoken passages between full songs.
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“Them” (1988)
Released
“Welcome Home” makes the grandmother's return the source of the unease. By “Tea,” a familiar domestic ritual has started to carry a very different meaning. Start with this King Diamond album before Conspiracy to hear the family story in order.
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Conspiracy (1989)
Released
Keep “Them” in mind when “At the Graves” returns to the voices that haunted the first record. “A Visit from the Dead” makes the family's past a present problem. Play this after the first album if you want the return to mean something.
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The Crimson Idol (1992)
Released
Meet Blackie Lawless's fictional musician Jonathan in “The Invisible Boy” and follow the record business into “Chainsaw Charlie.” The leap from a boy's room to a stage gives the songs different voices and stakes. This is W.A.S.P.'s original album sequence.
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Seventh Son of a Seventh Son (1988)
Released
In Iron Maiden's “Moonchild,” a warning opens a string of songs about a seventh son who can see things others cannot. “The Prophecy” puts him up against people who won't hear him out. Pick this for a heavy metal story carried by broad scenes and big choruses.
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Epica (2003)
Released
Ariel wants knowledge he can’t find in ordinary life, and Kamelot gives that desire a voice in “Center of the Universe.” “Descent of the Archangel” introduces the figure who can make him an offer. This first part is for listeners who want to stay with one Faustian story across two albums.
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The Black Halo (2005)
Released
Continue Kamelot's story from Epica here. “March of Mephisto” places a threatening voice close to the front of the mix, followed later by Ariel’s quieter reckoning in “Abandoned.” The two modes work especially well if you listen for whose desires are driving the scene.
More about The Black Halo15
Crack the Skye (2009)
Released
Mastodon's “Oblivion” pushes the protagonist away from his body, while “The Czar” brings Rasputin into an already strange trip. It’s a good choice if you want an album where dramatic transitions lead into longer songs without breaking their momentum.
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The Metal Opera (2001)
Released
“Reach Out for the Light” gives the story a purpose beyond the opening overture. Follow Tobias Sammet's ensemble until “Sign of the Cross” to hear different voices move the same quest forward. Start here before Part II.
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The Metal Opera, Part II (2002)
Released
The opening “The Seven Angels” gives more than one singer room to carry the action before “The Final Sacrifice” accelerates the story. Coming straight from the previous album makes the returning cast easier to follow.
More about The Metal Opera, Part II18
Nostradamus (2008)
Released
Judas Priest uses “Prophecy” and spoken-style transitional tracks to give Nostradamus a place in his own story. “Exiled” shifts the focus from what he foresees to the cost of being heard. Choose it for a two-disc version of the prophet’s life with room between the biggest scenes.
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Still Life (1999)
Released
In Opeth's “The Moor,” an outcast returns to the place he was driven from. By “Face of Melinda,” the quieter passages make a private relationship as important as the conflict around it. Listen in order for changes between clean singing and harsh vocals as the pressure builds.
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Apex (2017)
Released
Unleash the Archers brings the Immortal out of a long sleep in “Awakening.” “The Matriarch” introduces the person who controls what he must do next, and “Cleanse the Bloodlines” gives that order a cost. Start here before Abyss to follow the full story.
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Emperor of Sand (2017)
Released
“Sultan’s Curse” begins with a sentence that sends a traveler into the desert. Follow “Steambreather” deeper into that exile for a story carried partly by the setting and partly by the change in whose voice you hear.
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